Sound on Screen IV Conference

June 24-26 2025

Oxford Brookes University

The Sound on Screen research network at Oxford Brookes University are delighted to announce Sound on Screen IV, a three-day conference dedicated to exploring the intersection of sound, music, and screen media.

The programme committee consists of Dr. Jan Butler (Senior Lecturer in Popular Music, Oxford Brookes University), Dr. James Cateridge (Senior Lecturer in Film, Oxford Brookes University), and Dr. Matt Lawson (Senior Lecturer in Music, Oxford Brookes University), and Dr. Lindsay Steenberg (Reader in Film Studies, Oxford Brookes University).


MECCSA 2025 Conference

September 4-6 2025

Edinburgh Napier University


VIVID - I Dream of Reality

June 4 & 6 2025

Bon Marche Studio
University of Technology Sydney

SSAAANZ Conference

December 3-6 2024

Flinders University, Adelaide

Inharmonicity

August 8 2024

MoshPit Bar, Newtown

Visualisation Institute + CPRG HDR Project Share

June 12 2024

Music Science Symposium

November 13 2023

Newcastle Conservatorium of Music

Upcoming Events

Media and culture play a crucial role in shaping identity, especially in contemporary contexts marked by economic struggles, conflict, and migration. The significance of identity is heightened as individuals navigate their sense of self in new and evolving cultural and social environments. This raises questions about how identities can be preserved or adapted, and the responsibilities of academics and researchers in addressing identities at risk.

Questions of identity have been at the heart of MeCCSA disciplines and debates for a long time. How identities are mediated and how they mediate themselves is often at the core of our work.  sections and networks in many ways reflect this across gender, race and ethnicity, disability, social movements, etc. Our 2025 conference seeks to further this questioning, whilst also considering the issue of belonging. Whether we belong to research communities that embody media, communications or cultural studies, and whether we belong to groups that prioritise areas such as climate change, policy or conflict, this conference provides an opportunity to reflect on the character of our diverse disciplines and where we find spaces of belonging.

We envisage the conference to be a mix of scholarly papers, themed panels, posters, film screenings, performance, installations, and other practice-based or artistic research contributions.

Past Events

What if reality was a question, not an answer?

Step into a world where fact and fiction blur and experience multiple versions of the future in I Dream of Reality. This Extended Reality/Virtual Reality exhibition immerses you in alternate realities crafted by leading researchers and artists at the University of Technology Sydney (UTS).

Take a cyber shaman’s hand and be led through his layered childhood dreamscape. Explore the Australian landscape reimagined through new eyes as pasts and futures collide. Engage with 3D humans and AI-driven interactive exhibits that confront urgent questions about climate, technology and human nature.

Every experience is a question hanging in the air, a glimpse of a possible tomorrow. Walk away wondering: What was real? What was a dream? And does the line between them even matter?


In all aspects of Screen Studies there are elements of the seen and the unseen, the visible and the invisible, the recognised (canonised) and the forgotten and overlooked. Whether in the screen practices of producing images for the screen, in the industrial circumstances of funding, training, casting, and location scouting that occur behind the scenes, or as a consequence of regulation and censorship, the end result is a text that is made to be seen but which is an effect of invisible processes and events. Within screen texts there are narratives, visual and audio techniques, and conventions that toy with our perceptions of seen/unseen. Screen history itself has shed light on and elevated certain careers and texts and neglected others. These dynamics are core to Screen Studies research, where a key aim, underpinned by decolonising and feminist approaches, has been to bring ‘unseen’ histories, practices, and theories to the fore.



University of Technology Sydney

INHARMONICITY - "the degree to which the frequencies of overtones depart from whole multiples of the fundamental frequency"

Or/ also known as

a night not to be missed at MoshPit Bar on Thursday, August 8th for the first installment ever.

3 amazing electronic acts

SXUMS

PARIS LIGHTS

SEÁNA É DUBH

Visualisation Institute + CPRG HDR Project Shares is an opportunity for students from DAB, FASS and FEIT to share a prototype, an artefact or a WIP from their creative practice / practice-based research. Rather than a presentation format, each student will have a space to set up their work in a common area and all students and guests will have time to walk around, experience and discuss their prototypes/artefacts with each other. This is an opportunity to connect with research students and supervisors working in similar ways or on similar topics across UTS.


Following the successful 2022 Music Science Symposium at Western Sydney University, the University of Newcastle is hosting a second symposium this year. It is a one-day symposium on Monday 13 November 9am-5pm at the University of Newcastle Conservatorium of Music. The symposium will be fully catered thanks to generous support from the Musicological Society of Australia. 

The symposium is aimed at HDR students (Honours also welcome) and ECRs, with the intention of encouraging and supporting emerging researchers. The event is free and we hope academics and students will come and enjoy some Newcastle hospitality! Music and Science is a broad term and might include music and cognition, health, wellbeing, sociology, performance science, composition and much more.